Sam Francis

Untitled, 1984

106.7 X 73 inch

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Backside Brussels I

Jonathan Monk | COUNTING IN COLOUR | Lithograph available for sale on www.kunzt.gallery
Jonathan Monk | COUNTING IN COLOUR | Lithograph available for sale on www.kunzt.gallery
Jonathan Monk | COUNTING IN COLOUR | Lithograph available for sale on www.kunzt.gallery
Jonathan Monk | COUNTING IN COLOUR | Lithograph available for sale on www.kunzt.gallery
Jonathan Monk is a British artist living and working in Berlin, Germany. He creates photographs, film, sculpture and installation pieces which are thought to be humorous reinterpretations of works by Sol LeWitt, Ed Ruscha, and John Baldessari to name some. Monk often uses quotations to give new ideas to works viewed as seminal i Read More
Artwork Copyright © Jonathan Monk

COUNTING IN COLOUR, 2010

form
Medium

Portfolio with 11 lithographs

Jonathan Monk is a British artist living and working in Berlin, Germany. He creates photographs, film, sculpture and installation pieces which are thought to be humorous reinterpretations of works by Sol LeWitt, Ed Ruscha, and John Baldessari to name some. Monk often uses quotations to give new ideas to works viewed as seminal i Read More
Artwork Copyright © Jonathan Monk

Jonathan Monk

Backside Brussels I, 2016

Sculpture / Object

Acrylic Sculpture

EUR 800

Jonathan Monk

Backside Brussels II, 2016

Sculpture / Object

Acrylic Sculpture

EUR 800

Jonathan Monk

Backside Brussels III, 2016

Sculpture / Object

Acrylic Sculpture

EUR 800

Jonathan Monk

Backside Brussels IV, 2016

Sculpture / Object

Acrylic Sculpture

EUR 800

Jonathan Monk

The Idea Of An Empty Sliding, 2015

Limited Edition Print

Monotype

EUR 3,000

Jonathan Monk

My Left Hand Holding A Piece 3 , 2008

Limited Edition Print

Drypoint

EUR 2,000

Jonathan Monk

My Left Hand Holding A Square 4, 2008

Limited Edition Print

Drypoint

EUR 3,000

Jonathan Monk

COUNTING IN COLOUR, 2010

Limited Edition Print

Lithograph

EUR 3,200

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What is appropriation?

The use of images or pre-existing objects with application of little or completely no transformation to them. It has played a very significant role in the history of visual, musical, performing and literary arts. In visual arts for instance, to appropriate means properly adopting, sampling, recycling or borrowing aspects(even entire form) of artificial visual culture.

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