Sam Francis

Untitled, 1984

106.7 X 73 inch

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Pool of Tears 1

Kiki SMITH | 1st State Self Portrait | Etching available for sale on kunzt gallery
Kiki SMITH | 1st State Self Portrait | Etching available for sale on kunzt gallery
Kiki SMITH | 1st State Self Portrait | Etching available for sale on kunzt gallery
Kiki SMITH | 1st State Self Portrait | Etching available for sale on kunzt gallery
Acclaimed for her unflinching exploration and interpretation of mortality and the human body, Kiki Smith is an artist whose work often engenders the spirit of Feminism. Among Smith’s most notable works is her Virgin Mary sculpture, an almost life-size wax depiction of the venerated Christian figure; displayed without skin – with the exception of her head, breasts, hands and genitalia – the figure is not anatomically discernable from that of any other female figure and Smith is Read More
Artwork Copyright © Kiki Smith

1st State Self Portrait, 1993

form
Medium
Kiki Smith was an artist in residence at Pilchuk Glass School in the summer of 1993. At the end of e (...) Show More

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Acclaimed for her unflinching exploration and interpretation of mortality and the human body, Kiki Smith is an artist whose work often engenders the spirit of Feminism. Among Smith’s most notable works is her Virgin Mary sculpture, an almost life-size wax depiction of the venerated Christian figure; displayed without skin – with the exception of her head, breasts, hands and genitalia – the figure is not anatomically discernable from that of any other female figure and Smith is Read More
Artwork Copyright © Kiki Smith

Kiki Smith

1st State Self Portrait, 1993

Limited Edition Print

Etching

USD 5,950

Kiki Smith

Pool Of Tears 1, 2000

Limited Edition Print

Etching And Aquatint

USD 6,000

Kiki Smith

Untitled - Bite, 1988

Limited Edition Print

Digital Print On Paper

USD 2,950

Kiki Smith

Moment B, 2006

Limited Edition Print

Lithograph

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What is feminist art?

Refers to the art that branched from the feminist art-movement between the years 1960-1970. It grew with the intention of criticizing the 20th century gender ideals including the canon of art history by creation of dialogue between artwork and the viewer through feminist lens.

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