Sam Francis

Untitled, 1984

106.7 X 73 inch

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Ballast II

Richard Serra | Ballast III | Etching available for sale on www.kunzt.gallery
Richard Serra is an American artist known primarily for his large-scale outdoor sculptures made of sheet metal and for his avant garde video work. His work is in the permanent collections of such institutions as the Guggenheim Museum in Bilbao, Spain, and the Museum of Modern Art (MoMA). He has been the recipient of many awards and fellowships, including France's prestigious Légion d’honneur, awarded to him in 2015. Although Richard Serra studied painting at Yale University, his Read More
Artwork Copyright © Richard Serra

Ballast III, 2011

form
Medium

Edition of 45 on Hahnemühle Copperplate - Warm White 300gsm paper

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Richard Serra is an American artist known primarily for his large-scale outdoor sculptures made of sheet metal and for his avant garde video work. His work is in the permanent collections of such institutions as the Guggenheim Museum in Bilbao, Spain, and the Museum of Modern Art (MoMA). He has been the recipient of many awards and fellowships, including France's prestigious Légion d’honneur, awarded to him in 2015. Although Richard Serra studied painting at Yale University, his Read More
Artwork Copyright © Richard Serra

Richard Serra

Paths And Edges # 8, 2007

Limited Edition Print

Etching

USD 9,500

Richard Serra

Paths And Edges #6, 2007

Limited Edition Print

Etching

EUR 14,000

Richard Serra

Transversal # 4, 2004

Limited Edition Print

Etching

Inquire For Price

Richard Serra

Extensión # 2, 2004

Limited Edition Print

Etching

EUR 19,000

Richard Serra

Ballast III, 2011

Limited Edition Print

Etching

USD 6,450

Richard Serra

Ballast II

Limited Edition Print

Etching

USD 5,950

Richard Serra

Ballast I, 2011

Limited Edition Print

Etching

USD 5,950

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What is Arte Povera?

A movement and style in art that originated in Italy back in the 1960s. It combines concepts of minimalists, performance and conceptual art by making use of common or worthless materials like newspapers or stones with the hope of subverting the process of art commercialization.

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