Sam Francis

Untitled, 1984

106.7 X 73 inch

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Frank Sinatra On the Board walk

Terry O'NEILL | Brigitte Bardot with cigar on the set Les Petroleuses | Mixed Media available for sale on kunzt gallery
Celebrated for the distinctive aesthetic captured in his shots – unposed, intimate and authentic – Terry O’Neill is a highly acclaimed photographer who rose to prominence with his portrayals of the ‘Swingin’ 60’s’ culture of London and various famous figures. O’Neill initially began as a photographer for an airline and was based at London’s Heathrow Airport – after unwittingly snapping the British Home Secretary sleeping whilst waiting Read More
Artwork Copyright © Terry O'Neill

Brigitte Bardot with cigar on the set Les Petroleuses, 1971

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Medium

Platinum Print - Classic Bridgitte Bardot by Terry Oneill

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Celebrated for the distinctive aesthetic captured in his shots – unposed, intimate and authentic – Terry O’Neill is a highly acclaimed photographer who rose to prominence with his portrayals of the ‘Swingin’ 60’s’ culture of London and various famous figures. O’Neill initially began as a photographer for an airline and was based at London’s Heathrow Airport – after unwittingly snapping the British Home Secretary sleeping whilst waiting Read More
Artwork Copyright © Terry O'Neill

Terry O'Neill

Brigitte Bardot With Cigar On The Set Les Petroleuses, 1971

Photography

Mixed Media

Inquire For Price

Terry O'Neill

Frank Sinatra On The Board Walk, 1968

Limited Edition Print

Photograph

Inquire For Price

Terry O'Neill

David Bowie, Diamond Dogs London, 1975

Limited Edition Print

Photograph

GBP 17,300

Terry O'Neill

Eric Clapton, Color, 2008

Limited Edition Print

Photograph

USD 4,900

Terry O'Neill

Eric Clapton, B&W, 2008

Limited Edition Print

Photograph

USD 4,900

Terry O'Neill

Tin Pan Alley, 1963

Photography

Photograph

EUR 9,800

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What is Arte Povera?

A movement and style in art that originated in Italy back in the 1960s. It combines concepts of minimalists, performance and conceptual art by making use of common or worthless materials like newspapers or stones with the hope of subverting the process of art commercialization.

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