Sam Francis

Untitled, 1984

106.7 X 73 inch

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Tatoo

Tracey EMIN | Everybodies Been There | Lithograph available for sale on kunzt gallery
Widely recognised for her searingly honest autobiographical works, Tracey Emin is an artist who creates through a number of mediums including painting, sewn applique and sculpture. My Bed is perhaps her most notable work to date – the work exhibits her own unmade bed after a period of several days of depression and inertia; the bed itself is surrounded by empty bottles of alcohol, unclean underwear and cigarette butts. Of her autobiographical works, Emin has stated: “There should be Read More
Artwork Copyright © Tracey Emin

Everybodies Been There, 1998

form
Medium
Artist signature, recto. Produced in association with the White Cube Gallery in a limited quantity ( (...) Show More

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Widely recognised for her searingly honest autobiographical works, Tracey Emin is an artist who creates through a number of mediums including painting, sewn applique and sculpture. My Bed is perhaps her most notable work to date – the work exhibits her own unmade bed after a period of several days of depression and inertia; the bed itself is surrounded by empty bottles of alcohol, unclean underwear and cigarette butts. Of her autobiographical works, Emin has stated: “There should be Read More
Artwork Copyright © Tracey Emin

Tracey Emin

For You I Love, For You I Breathe, 2012

Limited Edition Print

Mixed Media

GBP 8,970

Tracey Emin

Closed, 2013

Limited Edition Print

Etching

GBP 2,180

Tracey Emin

Everybodies Been There, 1998

Limited Edition Print

Lithograph

Currently Not Available

Tracey Emin

Tatoo, 2001

Limited Edition Print

Lithograph

Currently Not Available

Tracey Emin

I Loved My Innocence, 2019

Limited Edition Print

Lithograph

EUR 5,800

Tracey Emin

Pregnant, 2011

Limited Edition Print

Mixed Media

EUR 3,500

Tracey Emin

But Yea, 2015

Limited Edition Print

Lithograph

GBP 1,875

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What is Readymade?

Readymade is the term Marcel Duchamp used to describe his artworks made from objects which were manufactured. The French artist first used the term, and artists who work similarly now use it. Duchamp chose functional objects which he felt had visual indifference.

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